In this article we will explore the topic of Cagliostro in Wien and its impact on today's society. Cagliostro in Wien has been the subject of interest and debate for years, and its relevance has not diminished over time. In recent decades, we have seen significant advances and research around Cagliostro in Wien, leading to greater understanding and awareness of its importance. Through this article, we will delve into the different aspects surrounding Cagliostro in Wien, from its history and evolution to its influence in different areas of daily life. We hope that this exploration contributes to shedding light on Cagliostro in Wien and its implications in today's world.
Cagliostro in Wien (Cagliostro in Vienna) is an operetta in three acts by Johann Strauss II to a libretto by F. Zell and Richard Genée. It premiered on 27 February 1875 at the Theater an der Wien, featuring Marie Geistinger and Alexander Girardi.
The premiere was highly successful, in no small part due to the audience favourite Alexander Girardi[1] (1850–1918) as Blasoni. Another notable performer at the premiere was Marie Geistinger (1836–1903) who had created the role of Rosalinde in Strauss's Die Fledermaus. However, weaknesses in the libretto and—by Strauss's standards—the pallid music, meant the work could not garner the level of long-term public support of the composer's other works. These shortcomings were corrected in a version with a revised libretto by Gustav Quedenfeldt and music by Karl Tutein (who included themes from the Kaiser-Walzer) which premiered on 8 May 1941 in Danzig (Gdańsk).
Role | Voice type | Premiere cast, 27 February 1875[2] (Conductor: Johann Strauss II) |
---|---|---|
Empress Maria Theresa | soprano | Henriette Wieser |
Marie Luise, Infanta of Spain | ||
Baron Sebastian Schnucki, imperial custodian of morals | baritone | Alfred Schreiber |
Count Cagliostro | baritone | Carl Adolf Friese |
Lorenza, Italian street singer | soprano | Marie Geistinger |
Feri von Lieven, Lieutenant | ||
Frau Adami | ||
Annemarie, her niece | ||
Teiglein, pastry cook, Annemarie's guardian | ||
Blasoni, Count Cagliostro's aide | tenor | Alexander Girardi |
Severin, owner of a funfair stall | ||
Innkeeper of The Turk Sconce | ||
The Hofmarschall | ||
Beppo and Barberino, Count Cagliostro's aides | ||
Ladies and gentlemen of the court, people, soldiers, police |
Johann Strauss used material from his operetta for the following works:
Erich Wolfgang Korngold wrote an arrangement of the work, first performed on 13 April 1927 in Vienna.