In the modern world, Emma Lake Artist's Workshops has gained great interest and relevance in different areas of society. With the advancement of technology and globalization, Emma Lake Artist's Workshops has become a constant topic of conversation, ranging from cultural and artistic to scientific and political aspects. The influence of Emma Lake Artist's Workshops has spread worldwide, generating debates and conflicting opinions in public opinion. In this article, we will explore different perspectives and approaches around Emma Lake Artist's Workshops, to better understand its impact on our daily lives and in the future.
The Flat Side of the Landscape: the Emma Lake Artists' Workshops / curator/editor: John O'Brian; essays, John O'Brian ... Saskatoon : Mendel Art Gallery, c1989 (Published for the exhibition, The flat side of the landscape : the Emma Lake Artists' Workshops held from October 5, 1989 to April 21, 1991)
Abstraction West : Emma Lake and after = Abstraction dans l'Ouest : le lac Emma et après / by Terry Fenton. Ottawa : National Gallery of Canada for the Corporation of the National Museums of Canada, 1976
Emma Lake Workshops, 1955-1973. September 21 to October 21, 1973. Regina : Norman Mackenzie Art Gallery, 1973
^O'Brian, John (curator/editor). (1989). The Flat Side of the Landscape : The Emma Lake Artists' Workshops Essays, Saskatoon, Saskatchewan:Mendel Art Gallery ISBN0-919863-49-3.
^King, John. (1972). The Emma Lake Workshops 1955-1970: A Documented Study of the Artists’ Workshop at Emma Lake, Saskatchewan, of the School of Art, University of Saskatchewan, Regina, 1955-1970. Manitoba: Brandon University.