Harsh noise wall
In today's world, Harsh noise wall is a topic that has sparked great interest and debate in society. Whether due to its impact on people's daily lives, its historical relevance or its influence on various cultural aspects, Harsh noise wall continues to be a current topic that captures the attention of millions of people around the world. Through this article, we will explore in depth the multiple facets and dimensions of Harsh noise wall, analyzing its importance, evolution and repercussions in different areas.
| Harsh noise wall | |
|---|---|
| Stylistic origins | Noise, harsh noise |
| Cultural origins | Mid-1990s, United States, Japan, France |
| Other topics | |
| Japanoise | |
Harsh noise wall, also known as wall noise, noise wall, or HNW, is an extreme subgenre of noise music, described by music journalist Russell Williams as "a literal consistent, unflinching and enveloping wall of monolithic noise".[1]
Harsh noise wall features noises layered together to form a static sound. Harsh noise wall musician Sam McKinlay, also known as The Rita, considered the genre as "the purification of the Japanese harsh noise scene into a more refined crunch, which crystallizes the tonal qualities of distortion in a slow moving minimalistic texture."[2]
Despite largely staying underground, harsh noise wall has enjoyed a cult following among the noise music scene.
See also
References
- ^ Williams, Russell (22 May 2014). "Live Report: Harsh Noise Wall Festival III". The Quietus. Retrieved 19 July 2017.
- ^ Novak (2013), p. 57
Further reading
- Biles, Jeremy; Brintnall, Kent L. (eds.). Negative Ecstasies: Georges Bataille and the Study of Religion. Oxford. ISBN 0823265196.
- Novak, David (2013). Japanoise: Music at the Edge of Circulation. Duke. ISBN 082235392X.
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