Napoleon in Imperial Costume
In this article, we will explore the fascinating world of Napoleon in Imperial Costume and its impact on today's society. Napoleon in Imperial Costume is a topic that has captured the attention of experts and amateurs alike, generating debates and reflections in a wide range of fields and disciplines. Throughout history, Napoleon in Imperial Costume has played a crucial role in shaping events and narratives, influencing the way people interact with each other and perceive the world around them. In this comprehensive analysis, we will examine various aspects and facets of Napoleon in Imperial Costume, offering a complete overview that allows the reader to understand its importance and relevance today.
Napoleon in Imperial Costume was an 1805 portrait of Napoleon I in his coronation robes by Jacques-Louis David. Originally intended for the Tribuna in Genoa, Napoleon was unhappy with it and it was left incomplete. It is known via a small oil sketch now in the Palais des beaux-arts de Lille.
Another version of the same subject was meant for Napoleon's brother Jérôme Bonaparte, king of Westphalia. It is now lost, but known via a copy attributed to Rouget now in the Fogg Art Museum, an incomplete canvas attributed to Sebastian Weygandt in the Staatliche Kunstsammlungen in Kassel and a head study in the bibliothèque Thiers.
See also
Bibliography
- Antoine Schnapper (ed.) and Arlette Sérullaz, Jacques-Louis David 1748-1825 : catalogue de l'exposition rétrospective Louvre-Versailles 1989-1990, Paris, Réunion des Musées nationaux, 1989 (ISBN 2-711-82326-1)
- Sophie Monneret, David et le néoclassicisme, Paris, Terrail, 1998 (ISBN 2879391865)
- Simon Lee, David, Paris, Phaidon, 2002 (ISBN 0714891053)
- Sylvain Laveissière (ed.), David Chanteranne, Anne Dion-Tenenbaum, Alain Pougetoux et al., Le Sacre de Napoléon peint par David, Paris, Milan, 5 Continents, 2004 (ISBN 978-8874391547)
- Philippe Bordes, David, Empire to Exile, New Haven, Yale University press, 2005 (ISBN 0-300-12346-9)
