In this article we are going to explore the exciting world of Portrait of Alphonse Leroy. From its origins to its impact today, Portrait of Alphonse Leroy has generated continued interest and has become a topic of discussion and debate in various areas. Throughout these pages, we will analyze the different aspects related to Portrait of Alphonse Leroy, from its importance in modern society to its influence on popular culture. Additionally, we will examine how Portrait of Alphonse Leroy has evolved over time and how it continues to set trends today. Be prepared to embark on an exciting journey through the ins and outs of Portrait of Alphonse Leroy and discover everything this theme has to offer.
Portrait of Alphonse Leroy | |
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Artist | Jacques-Louis David |
Year | 1783 |
Medium | Oil on canvas |
Dimensions | 72 cm × 91 cm (28 in × 36 in) |
Location | Musée Fabre, Montpellier |
Portrait of Alphonse Leroy is a 1783 oil-on-canvas portrait of doctor and man-midwife Alphonse Leroy by the French Neoclassical artist Jacques-Louis David. It is now in the Musée Fabre in Montpellier, which bought it in 1829.
The painting shows its subject looking towards the spectator and leaning on a closed copy of Hippocrates' Morbi mulierum, a work on women's illnesses. On the desk is a 'lampe à quinquet', invented by Leroy himself. Together the lamp and book make reference to Cesare Ripa's Iconologia, which states these are the attributes of a study.
The naturalistic attention to detail and its bright tonality show how David was influenced by Flemish painters during his 1781 stay in Flanders. One of his pupils, Jean-François Garneray, assisted in painting the hands and fabrics. The painting was first exhibited at the Paris Salon of 1783.