In this article, we are going to delve into the fascinating world of The Recovery of Bahía de Todos los Santos. From its origins to its relevance today, we will explore all aspects related to The Recovery of Bahía de Todos los Santos and how it has impacted different areas of society. We will analyze its evolution over time, the different perspectives that exist on The Recovery of Bahía de Todos los Santos, and its influence on various aspects of daily life. Additionally, we will examine its possible future implications and the role it plays in modern society. With relevant data and analysis, this article will offer a complete and detailed view of The Recovery of Bahía de Todos los Santos to understand its importance in today's world.
The Recovery of Bahía de Todos los Santos | |
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Artist | Juan Bautista Maíno |
Year | 1634–1635 |
Medium | Oil on canvas |
Dimensions | 309 cm × 381 cm (122 in × 150 in) |
Location | Museo del Prado, Madrid |
The Recovery of Bahía de Todos los Santos is a mature work by the Spanish painter Juan Bautista Maíno (1580–1649). It was painted between 1634 and 1635 and commemorates the recapture of the Brazilian port of Salvador da Bahia from the Dutch by Fadrique Álvarez de Toledo y Mendoza in May 1625 and its return to the Portuguese Empire. Originally in the Salón de Reinos for which it was painted, it is now in the Prado Museum, in Madrid.
The painting avoids triumphalism and shows the suffering of war. In the right background Fadrique Álvarez beckons to an allegorical portrait of Philip III of Portugal trampling War, Wrath and Heresy and being crowned with laurels by Victoria and the Conde-Duque de Olivares. In front of the portrait are men celebrating the victory, but in the rest of the foreground is the aftermath of the battle, with men, women and children surrounding, helping and watching a wounded soldier, embodying Piety, Charity and Suffering.