Aranjuez Immaculate Conception
In this article, we will explore everything related to Aranjuez Immaculate Conception, from its origin to its influence on today's society. Aranjuez Immaculate Conception has been a recurring theme throughout history, its impacts have been widely studied and debated in various areas. From its origins to the present, Aranjuez Immaculate Conception has generated conflicting opinions and has raised countless questions about its relevance and role in our society. Throughout this article, we will delve into a deep analysis of Aranjuez Immaculate Conception and its influence on different aspects of daily life, highlighting its importance today and its projection into the future.
The Aranjuez Immaculate Conception is a c.1675 oil on canvas painting by Bartolomé Esteban Murillo.[1] It first appears in the written record in 1818, when it was in the royal chapel of San Antonio in the Palacio de Aranjuez in Madrid, after which it is named. It next appears in the queen's quarters in the same palace in 1827 and is now in the Prado Museum.[2]
References
- ^ (in Spanish) Artehistoria entry
- ^ (in Spanish) Catalogue entry
 | This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it. |